| Inside Mr. Enderby | |
|---|---|
| Author(s) | Anthony Burgess (as Joseph Kell) |
| Country | United Kingdom |
| Language | English |
| Series | Enderby |
| Genre(s) | Comic novel |
| Publisher | William Heinemann |
| Publication date | 1963 |
| Media type | Print (Hardcover) |
| Pages | 253 (Hardcover edition) |
| ISBN | ISBN 0-434-38700-2 (later hardcover edition) |
| OCLC Number | 3074084 |
| Dewey Decimal | 823/.9/14 |
| LC Classification | PZ4.B953 In 1975 PR6052.U638 |
| Followed by | Enderby Outside |
Inside Mr Enderby is the first volume of the Enderby series, a quartet of comic novels by the British author Anthony Burgess.
The book was first published in 1963 in London by William Heinemann under the pseudonym Joseph Kell. The series which began with the publication, in 1963, of Inside Mr. Enderby, concluded in 1984 with Enderby's Dark Lady, or No End to Enderby (after a ten year break following the publication of the third novel in the series, The Clockwork Testament, or Enderby's End).
Contents |
The story opens on a note of pure fantasy, showing school children from the future taking a field trip through time to see the dyspeptic poet Francis Xavier Enderby while he is asleep. Enderby, a lapsed Catholic in his mid-40's, lives alone in Brighton as a 'professional' poet - his income being interest from investments left to him by his stepmother.
Enderby composes his poetry whilst seated on the toilet. His bathtub, which serves as a filing cabinet, is almost full of the mingled paper and food scraps that represent his efforts. Although he is recognised as a minor poet with several published works (and is even awarded a small prize, the 'Goodby Gold Medal', which he refuses), he has yet to be anthologised.
He is persuaded to leave his lonely but poetically fruitful bachelor life by the editor of a woman's magazine, Vesta Bainbridge, after he accidentally sends her a love poem instead of a complaint about a recipe in her magazine. The marriage, which soon ends, costs Enderby dearly, alienating him from his muse and depriving him of his financial independence.
Months pass, and Enderby is able to write only one more poem. After spending what remains of his capital, he attempts suicide with an overdose of aspirin, experiencing disgusting (and rather funny) visions of his stepmother as he nears death. His cries of horror bring help, and he regains consciousness in a mental institution, where the doctors persuade him to renounce his old, "immature" poetry-writing self. Rechristened "Piggy Hogg", he looks forward contentedly to a new career as a bartender.
Anthony Burgess wrote a review of Joseph Kell's book for the Yorkshire Post. "[W]hen the editor sent him the author's novel - Burgess thought it was a practical joke but it wasn't." [1] When the paper found out that Kell was one of Burgess's pen names, Burgess was removed from his reviewing duties.[2]
Anatole Broyard of The New York Times wrote:
"Mr. Burgess is so fond of Enderby - by far his best creation - that he has devoted four books to him: Inside Mr. Enderby and Enderby Outside, which were published in 1968, The Clockwork Testament in 1975, and now, Enderby's Dark Lady." [3]
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